3 Morceaux en forme de Poire for Piano Duet
In 1903, Satie composed his famous cycle for piano duet with the provocative and ambiguous title “3 Morceaux en forme de Poire”. (In French, “poire” means “pear” but also “dimwit”). It is a detached and ironic commentary on the constraints of musical form.
Now this cycle is being published in a scholarly-critical Urtext edition for the first time. Convenient page turns, a score format, translations of the French expression and tempo markings, Satie’s enigmatic introduction, performance suggestions by the Satie specialist Steffen Schleiermacher and a detailed foreword by the renowned musicologist Jens Rosteck make the study and performance of these pieces a true pleasure.
Now this cycle is being published in a scholarly-critical Urtext edition for the first time. Convenient page turns, a score format, translations of the French expression and tempo markings, Satie’s enigmatic introduction, performance suggestions by the Satie specialist Steffen Schleiermacher and a detailed foreword by the renowned musicologist Jens Rosteck make the study and performance of these pieces a true pleasure.
·Vorwort
·Hinweise zur Aufführungspraxis
·Preface
·Notes on Performance Practice
·Glossar / Glossary
·Instrumentation:
Klavier 4-händig
·Manière de Commencement
·Prolongation du même
·I
·II
·III
·En plus
·Redite
·Facsimile
·Critical Commentary