Música contemporánea – Acentto – Viña del Mar https://acentto.cl Al servicio de la música y sus poéticas Sat, 22 Mar 2025 15:45:47 +0000 es hourly 1 https://wordpress.org/?v=7.0.3 https://acentto.cl/wp-content/uploads/2024/07/cropped-cafe-libreria-6-32x32.png Música contemporánea – Acentto – Viña del Mar https://acentto.cl 32 32 Gilimbô https://acentto.cl/producto/gilimbo/ Wed, 15 Dec 2021 19:27:25 +0000 https://acentto.cl/producto/gilimbo/ Para vibrano y piano.

]]> Freitag https://acentto.cl/producto/freitag/ Wed, 15 Dec 2021 19:27:23 +0000 https://acentto.cl/producto/freitag/ per Matta 365.

]]> Mali para Violoncello solo https://acentto.cl/producto/mali-para-violoncello-solo/ Tue, 11 Jul 2023 17:56:26 +0000 https://acentto.cl/?post_type=product&p=111089

]]> Anatomía de la melancolía. Sonata para cello https://acentto.cl/producto/anatomia-de-la-melancolia-sonata-para-cello/ Tue, 26 Jul 2022 19:43:28 +0000 https://acentto.cl/?post_type=product&p=102479 Laberinto III para coro https://acentto.cl/producto/laberinto-iii-para-coro/ Tue, 26 Jul 2022 19:50:58 +0000 https://acentto.cl/?post_type=product&p=102481 Distancias https://acentto.cl/producto/distancias/ Tue, 26 Jul 2022 20:03:15 +0000 https://acentto.cl/?post_type=product&p=102485 Fourth Born Unicorn https://acentto.cl/producto/fourth-born-unicorn/ Wed, 15 Dec 2021 21:32:52 +0000 https://acentto.cl/producto/fourth-born-unicorn/ Angular Version per viola preparata.https://youtu.be/x45CmkJb2Hk (ver)

]]> Gelb, para ensamble https://acentto.cl/producto/gelb-para-ensamble/ Wed, 15 Dec 2021 18:22:19 +0000 https://acentto.cl/producto/gelb-para-ensamble/ para flauta, clarinete, violín, cello, vibráfono y piano
gelberklang ensemble

]]> Ficciones https://acentto.cl/producto/ficciones/ Wed, 15 Dec 2021 18:57:04 +0000 https://acentto.cl/producto/ficciones/ Partitura general

]]> Toccatina https://acentto.cl/producto/toccatina/ Wed, 15 Dec 2021 19:39:59 +0000 https://acentto.cl/producto/toccatina/ Helmut Lachenmann wrote his Toccatina for the volume “Studien zum Spielen Neuer Musik für Violine” (EB 8356) edited by Igor Ozim and published by Breitkopf & Härtel in 1986. No one could foresee back then that this “Etude for violin solo” would take on an active life of its own. The piece was first seen as a model of new string techniques, as David Alberman explained in his 1998 essay “Beyond the Conventional,” published in the journal “The Strad.” But in the meantime, Lachenmann’s “Toccatina,” which truly does abound in unusual techniques, appears increasingly often on the programs of international festivals of contemporary music. This does justice to the work, which is, in effect, a delicate, fragile and introverted recital piece. Its title contains the word “toccare” (Italian for “to touch”); the composer took this definition literally and transposed it impressively into his piece.

 

 

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