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	<title>Violín solo (o más violines) &#8211; Acentto &#8211; Viña del Mar</title>
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	<description>Al servicio de la música y sus poéticas</description>
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	<title>Violín solo (o más violines) &#8211; Acentto &#8211; Viña del Mar</title>
	<link>https://acentto.cl</link>
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	<item>
		<title>42 estudios o capricios</title>
		<link>https://acentto.cl/producto/42-estudios-o-capricios/</link>
		
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		<pubDate>Wed, 15 Dec 2021 19:09:50 +0000</pubDate>
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		<title>24 caprichos, Op. 1</title>
		<link>https://acentto.cl/producto/24-caprichos-op-1/</link>
		
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		<pubDate>Wed, 15 Dec 2021 18:44:49 +0000</pubDate>
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		<title>The Beatles –  Violin</title>
		<link>https://acentto.cl/producto/the-beatles-instrumental-play-along-violin/</link>
		
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		<pubDate>Wed, 06 Mar 2024 19:00:06 +0000</pubDate>
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					<description><![CDATA[En esta colección se incluyen 15 arreglos solistas de grandes éxitos de los Lads de Liverpool, perfecta para instrumentistas en ciernes. Ofrece acceso en línea a pistas de demostración de audio para descargar o transmitir para ayudarlo a escuchar cómo debe sonar la canción. Canciones: &#160; All You Need Is Love Blackbird Day Tripper Eleanor [...]]]></description>
										<content:encoded><![CDATA[<p><span class="jCAhz ChMk0b"><span class="ryNqvb">En esta colección se incluyen 15 arreglos solistas de grandes éxitos de los Lads de Liverpool, perfecta para instrumentistas en ciernes.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Ofrece acceso en línea a pistas de demostración de audio para descargar o transmitir para ayudarlo a escuchar cómo debe sonar la canción.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Canciones:</span></span></p>
<p>&nbsp;</p>
<ul class="list-unstyled m-0 pl-4">
<li>All You Need Is Love</li>
<li>Blackbird</li>
<li>Day Tripper</li>
<li>Eleanor Rigby</li>
<li>Get Back</li>
<li>Here, There And Everywhere</li>
<li>Hey Jude</li>
<li>I Will</li>
<li>Let It Be</li>
<li>Lucy In The Sky With Diamonds</li>
<li>Ob-La-Di, Ob-La-Da</li>
<li>Penny Lane</li>
<li>Something</li>
<li>Ticket To Ride</li>
<li>Yesterday</li>
</ul>
<p>&nbsp;</p>
<audio class="wp-audio-shortcode" id="audio-115561-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://acentto.cl/sandy/wp-content/uploads/2024/03/03_Blackbird-Strings_PA.mp3?_=1" /><a href="https://acentto.cl/sandy/wp-content/uploads/2024/03/03_Blackbird-Strings_PA.mp3">https://acentto.cl/sandy/wp-content/uploads/2024/03/03_Blackbird-Strings_PA.mp3</a></audio>
<p>Play along</p>
<audio class="wp-audio-shortcode" id="audio-115561-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://acentto.cl/sandy/wp-content/uploads/2024/03/04_Blackbird-Strings_Demo.mp3?_=2" /><a href="https://acentto.cl/sandy/wp-content/uploads/2024/03/04_Blackbird-Strings_Demo.mp3">https://acentto.cl/sandy/wp-content/uploads/2024/03/04_Blackbird-Strings_Demo.mp3</a></audio>
<p>Demo</p>
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		<title>Sonatas y partitas. BWV 1001- 1006</title>
		<link>https://acentto.cl/producto/sonatas-y-partitas-bwv-1001-1006-3/</link>
		
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		<pubDate>Wed, 15 Dec 2021 19:39:56 +0000</pubDate>
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					<description><![CDATA[Sin ninguna duda J. S. El ciclo de Bach de las tres Sonatas y Partitas BWV 1001-1006 representa uno de los pináculos de la música clásica europea. Según C.P.E. Bach, una voz contemporánea, afirmó que no había «nada más logrado para convertirse en un buen violinista» que las obras de su padre. El ciclo refleja [...]]]></description>
										<content:encoded><![CDATA[<p><span class="jCAhz ChMk0b"><span class="ryNqvb">Sin ninguna duda J. S.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">El ciclo de Bach de las tres Sonatas y Partitas BWV 1001-1006 representa uno de los pináculos de la música clásica europea.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Según C.P.E.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Bach, una voz contemporánea, afirmó que no había «nada más logrado para convertirse en un buen violinista» que las obras de su padre.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">El ciclo refleja todo el universo musical armónico y polifónico de la época de Bach, tan magistralmente compuesto que puede interpretarse dentro del marco limitado de un solo instrumento: el violín.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">La nueva publicación de las Sonatas y Partitas BWV 1001-1006 (BA 5256) constituye una revisión completa de nuestra edición anterior (BA 5116).</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">El texto musical ha sido editado por Peter Wollny y representa el estado de investigación más actualizado publicado en New Bach Edition &#8211; Revised (NBArev), volumen BA 5937-01.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">La edición se basa principalmente en el autógrafo inusualmente claro de Bach, que se considera uno de los manuscritos más bellos del compositor.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Se han tenido en cuenta todas las fuentes secundarias pertinentes para aclarar las ambigüedades.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Estos incluyen cinco copias contemporáneas, incluida una de Anna Magdalena Bach, y cuatro manuscritos de finales del siglo XVIII y principios del XIX.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">El texto musical ha sido grabado de nuevo con una maquetación clara y generosa, manteniendo el paso de página y la paginación de la edición anterior.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Esto permite la navegación sencilla entre una copia de la anterior y esta nueva edición.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">El prefacio detallado (alemán/inglés) brinda información sobre la génesis de las Sonatas y Partitas, su contexto y las fuentes.</span></span></p>
<p>&nbsp;</p>
<p>Sonata 1 g-Moll, BWV 1001</p>
<p>Partita 1 h-Moll, BWV 1002</p>
<p>Sonata 2 a-Moll, BWV 1003</p>
<p>Partita 2 d-Moll, BWV 1004</p>
<p>Sonata 3 C-Dur, BWV 1005</p>
<p>Partita 3 E-dur, BWV 1006</p>
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		<title>Toccatina</title>
		<link>https://acentto.cl/producto/toccatina/</link>
		
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		<pubDate>Wed, 15 Dec 2021 19:39:59 +0000</pubDate>
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					<description><![CDATA[Helmut Lachenmann wrote his Toccatina for the volume “Studien zum Spielen Neuer Musik für Violine” (EB 8356) edited by Igor Ozim and published by Breitkopf &#38; Härtel in 1986. No one could foresee back then that this “Etude for violin solo” would take on an active life of its own. The piece was first seen as a [...]]]></description>
										<content:encoded><![CDATA[<p>Helmut Lachenmann wrote his <em>Toccatina</em> for the volume “Studien zum Spielen Neuer Musik für Violine” (EB 8356) edited by Igor Ozim and published by Breitkopf &amp; Härtel in 1986. No one could foresee back then that this “Etude for violin solo” would take on an active life of its own. The piece was first seen as a model of new string techniques, as David Alberman explained in his 1998 essay “Beyond the Conventional,” published in the journal “The Strad.” But in the meantime, Lachenmann&#8217;s “Toccatina,” which truly does abound in unusual techniques, appears increasingly often on the programs of international festivals of contemporary music. This does justice to the work, which is, in effect, a delicate, fragile and introverted recital piece. Its title contains the word “toccare” (Italian for “to touch”); the composer took this definition literally and transposed it impressively into his piece.</p>
<p>&nbsp;</p>
<p><iframe title="&quot;Toccatina&quot; by Helmut Lachenmann by Breitkopf &amp; Haertel" width="1020" height="400" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F187541679&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=1020"></iframe></p>
<p>&nbsp;</p>
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		<title>Test Pieces for Orchestral Auditions Violin Band 2. Orchester Probespiel</title>
		<link>https://acentto.cl/producto/test-pieces-for-orchestral-auditions-violin-band-2-orchester-probespiel/</link>
		
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		<pubDate>Wed, 15 Dec 2021 21:06:48 +0000</pubDate>
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					<description><![CDATA[Excerpts from the Operatic and Concert Repertoire. Violin I (Tutti) and Violin II. Contents: Violin I (Tutti): Concerto for Orchestra, 5th movement (Bartók) • Symphony No. 3, Op. 55, 3rd movement (Beethoven) • Symphony No. 4, Op. 60, 4th movement (Beethoven) • Symphony No. 9, Op. 125, 1st and 2nd movements (Beethoven) • Overture to [...]]]></description>
										<content:encoded><![CDATA[<p>Excerpts from the Operatic and Concert Repertoire. Violin I (Tutti) and Violin II.</p>
<p>Contents: Violin I (Tutti):</p>
<p>Concerto for Orchestra, 5th movement (Bartók)</p>
<p>• Symphony No. 3, Op. 55, 3rd movement (Beethoven)</p>
<p>• Symphony No. 4, Op. 60, 4th movement (Beethoven)</p>
<p>• Symphony No. 9, Op. 125, 1st and 2nd movements (Beethoven)</p>
<p>• Overture to Leonore, Op. 72a (Beethoven)</p>
<p>• Fidelio, 2nd Act Finale (Beethoven)</p>
<p>• Quintet from Carmen, 2nd Act (Bizet)</p>
<p>• Symphony No. 1, Op. 68, 4th movement (Brahms)</p>
<p>• Symphony No. 2, 2nd movement (Bruckner)</p>
<p>• Symphony No. 9, 2nd movement Trio (Bruckner)</p>
<p>• Symphony No. 9, 4th movement (Dvorák)</p>
<p>• Concerto for Cello, 1st movement (Dvorák)</p>
<p>• Philharmonisches Concerto, 1st Variation (Hindemith)</p>
<p>• Overture from Midsummer Night&#8217;s Dream, Op. 21 (Mendelssohn)</p>
<p>• Scherzo, Op. 61, No. 1 (Mendelssohn)</p>
<p>• Symphony No. 39, KV 543, 4th movement (Mozart)</p>
<p>• Symphony No. 41, 4th movement (Mozart)</p>
<p>• Overture from Die Entführung aus dem Serail (Mozart)</p>
<p>• Overture from The Marraige of Figaro (Mozart)</p>
<p>• Overture to the Second Act of The Magic Flute (Mozart)</p>
<p>• Symphony No. 2, Op. 61, 2nd movement (Schumann)</p>
<p>• Overture from Die Fledermaus (Strauss)</p>
<p>• Don Juan, Op. 20 (Strauss)</p>
<p>• Der Rosenkavalier, 1st Procession, 2rd procession, Introduction and Dance (Strauss)</p>
<p>• The Rite of Spring, 1st Act, Danses des adolescentes (Stravinsky)</p>
<p>• Rigoletto, 2nd Act Finale (Verdi)</p>
<p>• Ein Maskenball, 3rd Act, Scene and Duet (Verdi)</p>
<p>• Aida, 4th Act (Verdi)</p>
<p>• Falstaff, 2nd Act 2nd Scene, 3rd Act (Verdi)</p>
<p>• Tannhäuser, 2nd Act, 2nd Scene (Wagner)</p>
<p>• Siegfried, 3rd Act, 3rd Scene (Wagner)</p>
<p>• Die Meistersinger von Nürnberg, Vorspiel (Wagner)</p>
<p>• Overture from Oberon (Weber)</p>
<p>• Overture from Euryanthe (Weber)</p>
<p>• Overture from Der Freischütz (Weber).</p>
<p>&nbsp;</p>
<p>Violin II:</p>
<p>Concerto for Orchestra, 5th movement (Bartók)</p>
<p>• Symphony No. 1, Op. 21, 2nd movement (Beethoven)</p>
<p>• Symphony No. 3, Op. 55 (Beethoven)</p>
<p>• Symphony No. 6, Op. 60, 4th movement (Beethoven)</p>
<p>• Symphony No. 9, Op. 125, 1st and 2nd movements (Beethoven)</p>
<p>• Fidelio, 1st Act, Aria with Choir (Beethoven)</p>
<p>• Carmen, 1st Act Finale (Bizet)</p>
<p>• Symphony No. 1, Op. 68, 4th Movement (Brahms)</p>
<p>• Piano Concerto Op. 15, 3rd movement (Brahms)</p>
<p>• Symphony No. 2, 3rd movement (Bruckner)</p>
<p>• Concerto for Violoncello, 2nd movement (Dvorák)</p>
<p>• Eine Faust-Sinfonie, 2nd movement: Gretchen (Liszt)</p>
<p>• Overture from Midummer Night&#8217;s Dream, Op. 21 (Mendelssohn)</p>
<p>• Scherzo, Op. 61, No. 1 (Mendelssohn)</p>
<p>• Symphony in C Major KV 200, 2nd Movement (Mozart)</p>
<p>• Symphony No. 39 KV 543, 4th movement (Mozart)</p>
<p>• Symphony No. 41, 4th movement (Mozart)</p>
<p>• Overture from Die Entführung aus dem Serail (Mozart)</p>
<p>• The Marraige of Figaro: Overture, Duet from 1st Act, Aria from 2nd Act, Finale from 2nd Act (Mozart)</p>
<p>• The Magic Flute: Overture, Finale from 2nd Act (Mozart)</p>
<p>• Daphnis and Chloe, 3rd Scene (Ravel)</p>
<p>• Symphony No. 4, 4th movement (Schubert)</p>
<p>• Overture from Die verkaufte Braut (Smetena)</p>
<p>• more.</p>
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		<title>Sonatas y partitas para violín solo y seis sonatas para violín y piano</title>
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		<pubDate>Wed, 15 Dec 2021 18:44:37 +0000</pubDate>
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					<description><![CDATA[Works for Violin Complete Sonatas and Partitas for Unaccompanied Violin; 6 Sonatas for Violin and Clavier. Bach-Gesellschaft edition Contenido: Sonata No. I in G Minor Adagio, Fuga (Allegro), Siciliano, Presto Partita No. I in B Minor Allemande, Double, Courante, Double (Presto), Sarabande, Double, Tempo di Bourrée, Double Sonata No. II in A Minor Grave, Fuga, [...]]]></description>
										<content:encoded><![CDATA[<h1 class="product-title">Works for Violin<br />
<span class="product-subtitle">Complete Sonatas and Partitas for Unaccompanied Violin; 6 Sonatas for Violin and Clavier. </span>Bach-Gesellschaft edition</h1>
<p>Contenido:</p>
<p>Sonata No. I in G Minor</p>
<p>Adagio, Fuga (Allegro), Siciliano, Presto</p>
<p>Partita No. I in B Minor</p>
<p>Allemande, Double, Courante, Double (Presto), Sarabande, Double, Tempo di Bourrée, Double</p>
<p>Sonata No. II in A Minor</p>
<p>Grave, Fuga, Andante, Allegro</p>
<p>Partita No. II in D Minor</p>
<p>Allemande, Courante, Sarabande, Gigue, Chaconne</p>
<p>Sonata No. III in C Major</p>
<p>Adagio, Fuga (Allabreve), Largo, Allegro assai</p>
<p>Partita No. III in E Major</p>
<p>Preludio, Loure, Gavotte en Rondeau, Menuet I, Menuet II, Bourrée, Gigue</p>
<p>SONATAS FOR VIOLIN AND CLAVIER</p>
<p>No. I in B Minor Adagio, Allegro, Andante, Allegro</p>
<p>No. II in A Major [1st movement], Allegro assai, Andante un poco, Presto</p>
<p>No. III in E Major&#8217;Adagio, Allegro, Adagio ma non tanto, Allegro</p>
<p>No. IV in C Minor&#8217;Siciliano (Largo), Allegro, Adagio, Allegro</p>
<p>No. V in F Minor&#8217;Largo, Allegro, Adagio, Vivace</p>
<p>No. VI in G Major&#8217;Allegro, Largo, Allegro (Cembalo Solo), Adagio, Allegro</p>
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		<title>Sonatas y partitas BWV 1001-1006</title>
		<link>https://acentto.cl/producto/sonatas-y-partitas-bwv-1001-1006/</link>
		
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		<pubDate>Wed, 15 Dec 2021 18:44:39 +0000</pubDate>
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					<description><![CDATA[Edición Urtext con y sin digitación. Los seis soli para violín de Bach han llegado hasta nosotros en una copia en limpio especialmente bella realizada por el propio compositor. Éstas, junto con las seis suites para violonchelo, se consideran hitos musicales y técnicos de la literatura musical. Bach emplea hábilmente los recursos del violín para [...]]]></description>
										<content:encoded><![CDATA[<p>Edición Urtext con y sin digitación.</p>
<p><span class="jCAhz ChMk0b"><span class="ryNqvb">Los seis soli para violín de Bach han llegado hasta nosotros en una copia en limpio especialmente bella realizada por el propio compositor.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Éstas, junto con las seis suites para violonchelo, se consideran hitos musicales y técnicos de la literatura musical.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">Bach emplea hábilmente los recursos del violín para producir una polifonía genuina en algunas secciones mediante el uso de acordes arpegiados y paradas dobles.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">La culminación de estos logros es la famosa Chacona de la segunda Partita, que logra una gran densidad musical al tiempo que presenta al violinista desafíos técnicos nunca antes vistos.</span></span> <span class="jCAhz ChMk0b"><span class="ryNqvb">La parte marcada por Wolfgang Schneiderhahn se adapta al uso práctico e incluye sugerencias de acordes y arpegios.</span></span></p>
<p>&nbsp;</p>
<ul class="content-item headline" data-item="0">
<li class="column-title"><strong>Sonata I g minor BWV 1001</strong></li>
<li class="column-title">Sonata I: Adagio BWV 1001</li>
<li class="column-title">Sonata I: Fuga BWV 1001</li>
<li class="column-title">Sonata I: Siciliana BWV 1001</li>
<li class="column-title">Sonata I: Presto BWV 1001</li>
</ul>
<ul class="content-item headline" data-item="5">
<li class="column-title"><strong>Partita I b minor BWV 1002</strong></li>
<li class="column-title">Partita I: Allemanda BWV 1002</li>
<li class="column-title">Partita I: Double (1) BWV 1002</li>
<li class="column-title">Partita I: Corrente BWV 1002</li>
<li class="column-title">Partita I: Double (2) BWV 1002</li>
<li class="column-title">Partita I: Sarabande BWV 1002</li>
<li class="column-title">Partita I: Double (3) BWV 1002</li>
<li class="column-title">Partita I: Tempo di Borea BWV 1002</li>
<li class="column-title">Partita I: Double (4) BWV 1002</li>
</ul>
<ul class="content-item headline" data-item="14">
<li class="column-title"><strong>Sonata II a minor BWV 1003</strong></li>
<li class="column-title">Sonata II: Grave BWV 1003</li>
<li class="column-title">Sonata II: Fuga BWV 1003</li>
<li class="column-title">Sonata II: Andante BWV 1003</li>
<li class="column-title">Sonata II: Allegro BWV 1003</li>
</ul>
<ul class="content-item headline" data-item="19">
<li class="column-title"><strong>Partita II d minor BWV 1004</strong></li>
<li class="column-title">Partita II: Allemanda BWV 1004</li>
<li class="column-title">Partita II: Corrente BWV 1004</li>
<li class="column-title">Partita II: Sarabanda BWV 1004</li>
<li class="column-title">Partita II: Giga BWV 1004</li>
<li class="column-title">Partita II: Ciaccona BWV 1004</li>
</ul>
<ul class="content-item headline" data-item="25">
<li class="column-title"><strong>Sonata III C major BWV 1005</strong></li>
<li class="column-title">Sonata III: Adagio BWV 1005</li>
<li class="column-title">Sonata III: Fuga BWV 1005</li>
<li class="column-title">Sonata III: Largo BWV 1005</li>
<li class="column-title">Sonata III: Allegro assai BWV 1005</li>
</ul>
<ul class="content-item headline" data-item="30">
<li class="column-title"><strong>Partita III E major BWV 1006</strong></li>
<li class="column-title">Partita III: Preludio BWV 1006</li>
<li class="column-title">Partita III: Loure BWV 1006</li>
<li class="column-title">Partita III: Gavotte en Rondeau BWV 1006</li>
<li class="column-title">Partita III: Menuet I BWV 1006</li>
<li class="column-title">Partita III: Menuet II BWV 1006</li>
<li class="column-title">Partita III: Bourée BWV 1006</li>
<li class="column-title">Partita III: Gigue BWV 1006</li>
</ul>
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		<title>Test Pieces for Orchestral Auditions Violin Band 1. Orchester Probespiel</title>
		<link>https://acentto.cl/producto/test-pieces-for-orchestral-auditions-violin-band-1-orchester-probespiel/</link>
		
		<dc:creator><![CDATA[Webmaster]]></dc:creator>
		<pubDate>Wed, 15 Dec 2021 21:25:54 +0000</pubDate>
				<guid isPermaLink="false">https://acentto.cl/producto/test-pieces-for-orchestral-auditions-violin-band-1-probespiel/</guid>

					<description><![CDATA[Contents: Erbarme dich from St. Matthew Passion (Bach) • Gebt mir meinen Jesum wieder from St. Matthew Passion (Bach) • Schliesse. meine Herze from Christmas Oratorio (Bach) • Laudamus from Mass in Bb minor (Bach) • Benedictus from Mass in Bb minor (Bach) • Sanctus from Missa solemnis, Op. 123 (Beethoven) • Lulu, 3rd Act [...]]]></description>
										<content:encoded><![CDATA[<p>Contents:</p>
<p>Erbarme dich from St. Matthew Passion (Bach)</p>
<p>• Gebt mir meinen Jesum wieder from St. Matthew Passion (Bach)</p>
<p>• Schliesse. meine Herze from Christmas Oratorio (Bach)</p>
<p>• Laudamus from Mass in Bb minor (Bach)</p>
<p>• Benedictus from Mass in Bb minor (Bach)</p>
<p>• Sanctus from Missa solemnis, Op. 123 (Beethoven)</p>
<p>• Lulu, 3rd Act (Berg)</p>
<p>• Carmen: 1st Act, No. 9 Recitative (Bizet)</p>
<p>• Symphony No. 1, Op. 68, 2nd movement (Brahms)</p>
<p>• Concerto for Cello and Orchestra, Op. 104, 3rd Movement (Dvorák)</p>
<p>• Symphony No. 103, 2nd movement (Haydn)</p>
<p>• Philharmonisches Konzert, 5th variation (Hindemith)</p>
<p>• Jenufa, 2nd Act, 6th Scene (Janácek)</p>
<p>• Paganini, 1st and 2ns Acts (Lehár)</p>
<p>• Martern aller Arten from Die Entführung aus dem Serail, KV 384 (Mozart)</p>
<p>• Haffner-Serenade KV 250, 4th movement (Mozart)</p>
<p>• Duet (No. 7c) from Merry Wives of Windsor, 2nd Act, 9th Scene (Nicolai)</p>
<p>• La Bohème, 1st and 3rd Acts (Puccini)</p>
<p>• Scheherazade, 1st, 2nd, 3rd and 4th movements (Rimsky-Korsakov)</p>
<p>• Symphony No. 4, Op. 120, 2nd Movement (Schumann)</p>
<p>• Der Rosenkavalier, Op. 59, 1st Act (Strauss)</p>
<p>• Ein Heldenleben, Op. 40 (Strauss)</p>
<p>• Till Eulenspiegels lustige Streiche, Op. 28 (Strauss)</p>
<p>• Also sprach Zarathustra, Op. 30 (Strauss)</p>
<p>• Die Frau ohne Schatten, Op. 65, 1st and 3rd Acts (Strauss)</p>
<p>• Auftritt und Tanz fer Schneieder from Der Bürger als Edelmann (Strauss)</p>
<p>• Swan Lake, Op. 20, 1st Act No. 5, 2nd Act No. 13, 3rd Act No. 6 (Tchaikovsky)</p>
<p>• Concerto No.2 for Piano and Orchestra, Op. 44, 2nd movement (Tchaikovsky)</p>
<p>• Overture from Tannhäuser (Wagner)</p>
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		<title>6 duos, Op. 39. Libro I</title>
		<link>https://acentto.cl/producto/6-duos-op-39-libro-i/</link>
		
		<dc:creator><![CDATA[Webmaster]]></dc:creator>
		<pubDate>Wed, 15 Dec 2021 18:44:46 +0000</pubDate>
				<guid isPermaLink="false">https://acentto.cl/producto/6-duos-op-39-libro-i/</guid>

					<description><![CDATA[Para 2 violines]]></description>
										<content:encoded><![CDATA[<p>Para 2 violines</p>
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