Violín solo (o más violines) – Acentto – Viña del Mar

Sonatas y partitas para violín solo y seis sonatas para violín y piano

Webmaster — Wed, 15 Dec 2021 18:44:37 +0000

Works for Violin
Complete Sonatas and Partitas for Unaccompanied Violin; 6 Sonatas for Violin and Clavier. Bach-Gesellschaft edition

Contenido:

Sonata No. I in G Minor

Adagio, Fuga (Allegro), Siciliano, Presto

Partita No. I in B Minor

Allemande, Double, Courante, Double (Presto), Sarabande, Double, Tempo di Bourrée, Double

Sonata No. II in A Minor

Grave, Fuga, Andante, Allegro

Partita No. II in D Minor

Allemande, Courante, Sarabande, Gigue, Chaconne

Sonata No. III in C Major

Adagio, Fuga (Allabreve), Largo, Allegro assai

Partita No. III in E Major

Preludio, Loure, Gavotte en Rondeau, Menuet I, Menuet II, Bourrée, Gigue

SONATAS FOR VIOLIN AND CLAVIER

No. I in B Minor Adagio, Allegro, Andante, Allegro

No. II in A Major [1st movement], Allegro assai, Andante un poco, Presto

No. III in E Major’Adagio, Allegro, Adagio ma non tanto, Allegro

No. IV in C Minor’Siciliano (Largo), Allegro, Adagio, Allegro

No. V in F Minor’Largo, Allegro, Adagio, Vivace

No. VI in G Major’Allegro, Largo, Allegro (Cembalo Solo), Adagio, Allegro

Sonatas y partitas. BWV 1001- 1006

Webmaster — Wed, 15 Dec 2021 19:39:56 +0000

Sin ninguna duda J. S. El ciclo de Bach de las tres Sonatas y Partitas BWV 1001-1006 representa uno de los pináculos de la música clásica europea. Según C.P.E. Bach, una voz contemporánea, afirmó que no había «nada más logrado para convertirse en un buen violinista» que las obras de su padre. El ciclo refleja todo el universo musical armónico y polifónico de la época de Bach, tan magistralmente compuesto que puede interpretarse dentro del marco limitado de un solo instrumento: el violín. La nueva publicación de las Sonatas y Partitas BWV 1001-1006 (BA 5256) constituye una revisión completa de nuestra edición anterior (BA 5116). El texto musical ha sido editado por Peter Wollny y representa el estado de investigación más actualizado publicado en New Bach Edition – Revised (NBArev), volumen BA 5937-01. La edición se basa principalmente en el autógrafo inusualmente claro de Bach, que se considera uno de los manuscritos más bellos del compositor. Se han tenido en cuenta todas las fuentes secundarias pertinentes para aclarar las ambigüedades. Estos incluyen cinco copias contemporáneas, incluida una de Anna Magdalena Bach, y cuatro manuscritos de finales del siglo XVIII y principios del XIX. El texto musical ha sido grabado de nuevo con una maquetación clara y generosa, manteniendo el paso de página y la paginación de la edición anterior. Esto permite la navegación sencilla entre una copia de la anterior y esta nueva edición. El prefacio detallado (alemán/inglés) brinda información sobre la génesis de las Sonatas y Partitas, su contexto y las fuentes.

Sonata 1 g-Moll, BWV 1001

Partita 1 h-Moll, BWV 1002

Sonata 2 a-Moll, BWV 1003

Partita 2 d-Moll, BWV 1004

Sonata 3 C-Dur, BWV 1005

Partita 3 E-dur, BWV 1006

Toccatina

Webmaster — Wed, 15 Dec 2021 19:39:59 +0000

Helmut Lachenmann wrote his Toccatina for the volume “Studien zum Spielen Neuer Musik für Violine” (EB 8356) edited by Igor Ozim and published by Breitkopf & Härtel in 1986. No one could foresee back then that this “Etude for violin solo” would take on an active life of its own. The piece was first seen as a model of new string techniques, as David Alberman explained in his 1998 essay “Beyond the Conventional,” published in the journal “The Strad.” But in the meantime, Lachenmann’s “Toccatina,” which truly does abound in unusual techniques, appears increasingly often on the programs of international festivals of contemporary music. This does justice to the work, which is, in effect, a delicate, fragile and introverted recital piece. Its title contains the word “toccare” (Italian for “to touch”); the composer took this definition literally and transposed it impressively into his piece.

Test Pieces for Orchestral Auditions Violin Band 2. Orchester Probespiel

Webmaster — Wed, 15 Dec 2021 21:06:48 +0000

Excerpts from the Operatic and Concert Repertoire. Violin I (Tutti) and Violin II.

Contents: Violin I (Tutti):

Concerto for Orchestra, 5th movement (Bartók)

• Symphony No. 3, Op. 55, 3rd movement (Beethoven)

• Symphony No. 4, Op. 60, 4th movement (Beethoven)

• Symphony No. 9, Op. 125, 1st and 2nd movements (Beethoven)

• Overture to Leonore, Op. 72a (Beethoven)

• Fidelio, 2nd Act Finale (Beethoven)

• Quintet from Carmen, 2nd Act (Bizet)

• Symphony No. 1, Op. 68, 4th movement (Brahms)

• Symphony No. 2, 2nd movement (Bruckner)

• Symphony No. 9, 2nd movement Trio (Bruckner)

• Symphony No. 9, 4th movement (Dvorák)

• Concerto for Cello, 1st movement (Dvorák)

• Philharmonisches Concerto, 1st Variation (Hindemith)

• Overture from Midsummer Night’s Dream, Op. 21 (Mendelssohn)

• Scherzo, Op. 61, No. 1 (Mendelssohn)

• Symphony No. 39, KV 543, 4th movement (Mozart)

• Symphony No. 41, 4th movement (Mozart)

• Overture from Die Entführung aus dem Serail (Mozart)

• Overture from The Marraige of Figaro (Mozart)

• Overture to the Second Act of The Magic Flute (Mozart)

• Symphony No. 2, Op. 61, 2nd movement (Schumann)

• Overture from Die Fledermaus (Strauss)

• Don Juan, Op. 20 (Strauss)

• Der Rosenkavalier, 1st Procession, 2rd procession, Introduction and Dance (Strauss)

• The Rite of Spring, 1st Act, Danses des adolescentes (Stravinsky)

• Rigoletto, 2nd Act Finale (Verdi)

• Ein Maskenball, 3rd Act, Scene and Duet (Verdi)

• Aida, 4th Act (Verdi)

• Falstaff, 2nd Act 2nd Scene, 3rd Act (Verdi)

• Tannhäuser, 2nd Act, 2nd Scene (Wagner)

• Siegfried, 3rd Act, 3rd Scene (Wagner)

• Die Meistersinger von Nürnberg, Vorspiel (Wagner)

• Overture from Oberon (Weber)

• Overture from Euryanthe (Weber)

• Overture from Der Freischütz (Weber).

Violin II:

Concerto for Orchestra, 5th movement (Bartók)

• Symphony No. 1, Op. 21, 2nd movement (Beethoven)

• Symphony No. 3, Op. 55 (Beethoven)

• Symphony No. 6, Op. 60, 4th movement (Beethoven)

• Symphony No. 9, Op. 125, 1st and 2nd movements (Beethoven)

• Fidelio, 1st Act, Aria with Choir (Beethoven)

• Carmen, 1st Act Finale (Bizet)

• Symphony No. 1, Op. 68, 4th Movement (Brahms)

• Piano Concerto Op. 15, 3rd movement (Brahms)

• Symphony No. 2, 3rd movement (Bruckner)

• Concerto for Violoncello, 2nd movement (Dvorák)

• Eine Faust-Sinfonie, 2nd movement: Gretchen (Liszt)

• Overture from Midummer Night’s Dream, Op. 21 (Mendelssohn)

• Scherzo, Op. 61, No. 1 (Mendelssohn)

• Symphony in C Major KV 200, 2nd Movement (Mozart)

• Symphony No. 39 KV 543, 4th movement (Mozart)

• Symphony No. 41, 4th movement (Mozart)

• Overture from Die Entführung aus dem Serail (Mozart)

• The Marraige of Figaro: Overture, Duet from 1st Act, Aria from 2nd Act, Finale from 2nd Act (Mozart)

• The Magic Flute: Overture, Finale from 2nd Act (Mozart)

• Daphnis and Chloe, 3rd Scene (Ravel)

• Symphony No. 4, 4th movement (Schubert)

• Overture from Die verkaufte Braut (Smetena)

• more.

Test Pieces for Orchestral Auditions Violin Band 1. Orchester Probespiel

Webmaster — Wed, 15 Dec 2021 21:25:54 +0000

Contents:

Erbarme dich from St. Matthew Passion (Bach)

• Gebt mir meinen Jesum wieder from St. Matthew Passion (Bach)

• Schliesse. meine Herze from Christmas Oratorio (Bach)

• Laudamus from Mass in Bb minor (Bach)

• Benedictus from Mass in Bb minor (Bach)

• Sanctus from Missa solemnis, Op. 123 (Beethoven)

• Lulu, 3rd Act (Berg)

• Carmen: 1st Act, No. 9 Recitative (Bizet)

• Symphony No. 1, Op. 68, 2nd movement (Brahms)

• Concerto for Cello and Orchestra, Op. 104, 3rd Movement (Dvorák)

• Symphony No. 103, 2nd movement (Haydn)

• Philharmonisches Konzert, 5th variation (Hindemith)

• Jenufa, 2nd Act, 6th Scene (Janácek)

• Paganini, 1st and 2ns Acts (Lehár)

• Martern aller Arten from Die Entführung aus dem Serail, KV 384 (Mozart)

• Haffner-Serenade KV 250, 4th movement (Mozart)

• Duet (No. 7c) from Merry Wives of Windsor, 2nd Act, 9th Scene (Nicolai)

• La Bohème, 1st and 3rd Acts (Puccini)

• Scheherazade, 1st, 2nd, 3rd and 4th movements (Rimsky-Korsakov)

• Symphony No. 4, Op. 120, 2nd Movement (Schumann)

• Der Rosenkavalier, Op. 59, 1st Act (Strauss)

• Ein Heldenleben, Op. 40 (Strauss)

• Till Eulenspiegels lustige Streiche, Op. 28 (Strauss)

• Also sprach Zarathustra, Op. 30 (Strauss)

• Die Frau ohne Schatten, Op. 65, 1st and 3rd Acts (Strauss)

• Auftritt und Tanz fer Schneieder from Der Bürger als Edelmann (Strauss)

• Swan Lake, Op. 20, 1st Act No. 5, 2nd Act No. 13, 3rd Act No. 6 (Tchaikovsky)

• Concerto No.2 for Piano and Orchestra, Op. 44, 2nd movement (Tchaikovsky)

• Overture from Tannhäuser (Wagner)

24 caprichos, Op. 1

Webmaster — Wed, 15 Dec 2021 18:44:49 +0000

42 estudios o capricios

Webmaster — Wed, 15 Dec 2021 19:09:50 +0000

36 estudios o capricios

Webmaster — Wed, 15 Dec 2021 19:09:58 +0000

Sonatas y partitas, BWV 1001-1006

Webmaster — Wed, 15 Dec 2021 19:26:02 +0000

Los seis soli para violín de Bach han llegado hasta nosotros en una copia en limpio especialmente bella realizada por el propio compositor. Éstas, junto con las seis suites para violonchelo, se consideran hitos musicales y técnicos de la literatura musical. Bach emplea hábilmente los recursos del violín para producir una polifonía genuina en algunas secciones mediante el uso de acordes arpegiados y paradas dobles. La culminación de estos logros es la famosa Chacona de la segunda Partita, que logra una gran densidad musical al tiempo que presenta al violinista desafíos técnicos nunca antes vistos.

Sonata I g minor BWV 1001

Sonata I: Adagio BWV 1001

Sonata I: Fuga BWV 1001

Sonata I: Siciliana BWV 1001

Sonata I: Presto BWV 1001

Partita I b minor BWV 1002

Partita I: Allemanda BWV 1002

Partita I: Double (1) BWV 1002

Partita I: Corrente BWV 1002

Partita I: Double (2) BWV 1002

Partita I: Sarabande BWV 1002

Partita I: Double (3) BWV 1002

Partita I: Tempo di Borea BWV 1002

Partita I: Double (4) BWV 1002

Sonata II a minor BWV 1003

Sonata II: Grave BWV 1003

Sonata II: Fuga BWV 1003

Sonata II: Andante BWV 1003

Sonata II: Allegro BWV 1003

Partita II d minor BWV 1004

Partita II: Allemanda BWV 1004

Partita II: Corrente BWV 1004

Partita II: Sarabanda BWV 1004

Partita II: Giga BWV 1004

Partita II: Ciaccona BWV 1004

Sonata III C major BWV 1005

Sonata III: Adagio BWV 1005

Sonata III: Fuga BWV 1005

Sonata III: Largo BWV 1005

Sonata III: Allegro assai BWV 1005

Partita III E major BWV 1006

Partita III: Preludio BWV 1006

Partita III: Loure BWV 1006

Partita III: Gavotte en Rondeau BWV 1006

Partita III: Menuet I BWV 1006

Partita III: Menuet II BWV 1006

Partita III: Bourée BWV 1006

Partita III: Gigue BWV 1006

The Best of the Beatles. Violín

Wed, 06 Mar 2024 18:39:07 +0000

Una gran colección de 92 canciones de los Beatles arregladas como solos instrumentales. Incluye:

Across The Universe
All My Loving
All You Need Is Love
And I Love Her
Back In The U.S.S.R.
The Ballad Of John And Yoko
Because
Birthday
Blackbird
Can’t Buy Me Love
Come Together
A Day In The Life
Day Tripper
Dear Prudence
Do You Want To Know A Secret?
Drive My Car
Eight Days A Week
Eleanor Rigby
Every Little Thing
The Fool On The Hill
From Me To You
Get Back
Girl
Golden Slumbers
Good Day Sunshine
Got To Get You Into My Life
A Hard Day’s Night
Hello, Goodbye
Help!
Helter Skelter
Here Comes The Sun
Here, There And Everywhere
Hey Jude
I Am The Walrus
I Feel Fine
I Saw Her Standing There
I Should Have Known Better
I Want To Hold Your Hand
I Will
I’ll Cry Instead
I’ll Follow The Sun
I’m A Loser
I’m Happy Just To Dance With You
I’ve Just Seen A Face
If I Fell
In My Life
It Won’t Be Long
It’s Only Love
Julia
Lady Madonna
Let It Be
The Long And Winding Road
Love Me Do
Lucy In The Sky With Diamonds
Magical Mystery Tour
Martha My Dear
Michelle
No Reply
Norwegian Wood (This Bird Has Flown)
Nowhere Man
Ob-La-Di, Ob-La-Da
Octopus’s Garden
Paperback Writer
Penny Lane
Please Please Me
P.S. I Love You
Revolution
Run For Your Life
Sgt. Pepper’s Lonely Hearts Club Band
She Loves You
She’s A Woman
Something
Strawberry Fields Forever
Tell Me Why
Thank You Girl
Things We Said Today
This Boy (Ringo’s Theme)
Ticket To Ride
Twist And Shout
We Can Work It Out
When I’m Sixty-Four
While My Guitar Gently Weeps
With A Little Help From My Friends
The Word
Yellow Submarine
Yes It Is
Yesterday
You Can’t Do That
You Won’t See Me
You’re Going To Lose That Girl
You’ve Got To Hide Your Love Away
Your Mother Should Know