Contents: Violin I (Tutti):

Concerto for Orchestra, 5th movement (Bartók)

• Symphony No. 3, Op. 55, 3rd movement (Beethoven)

• Symphony No. 4, Op. 60, 4th movement (Beethoven)

• Symphony No. 9, Op. 125, 1st and 2nd movements (Beethoven)

• Overture to Leonore, Op. 72a (Beethoven)

• Fidelio, 2nd Act Finale (Beethoven)

• Quintet from Carmen, 2nd Act (Bizet)

• Symphony No. 1, Op. 68, 4th movement (Brahms)

• Symphony No. 2, 2nd movement (Bruckner)

• Symphony No. 9, 2nd movement Trio (Bruckner)

• Symphony No. 9, 4th movement (Dvorák)

• Concerto for Cello, 1st movement (Dvorák)

• Philharmonisches Concerto, 1st Variation (Hindemith)

• Overture from Midsummer Night’s Dream, Op. 21 (Mendelssohn)

• Scherzo, Op. 61, No. 1 (Mendelssohn)

• Symphony No. 39, KV 543, 4th movement (Mozart)

• Symphony No. 41, 4th movement (Mozart)

• Overture from Die Entführung aus dem Serail (Mozart)

• Overture from The Marraige of Figaro (Mozart)

• Overture to the Second Act of The Magic Flute (Mozart)

• Symphony No. 2, Op. 61, 2nd movement (Schumann)

• Overture from Die Fledermaus (Strauss)

• Don Juan, Op. 20 (Strauss)

• Der Rosenkavalier, 1st Procession, 2rd procession, Introduction and Dance (Strauss)

• The Rite of Spring, 1st Act, Danses des adolescentes (Stravinsky)

• Rigoletto, 2nd Act Finale (Verdi)

• Ein Maskenball, 3rd Act, Scene and Duet (Verdi)

• Aida, 4th Act (Verdi)

• Falstaff, 2nd Act 2nd Scene, 3rd Act (Verdi)

• Tannhäuser, 2nd Act, 2nd Scene (Wagner)

• Siegfried, 3rd Act, 3rd Scene (Wagner)

• Die Meistersinger von Nürnberg, Vorspiel (Wagner)

• Overture from Oberon (Weber)

• Overture from Euryanthe (Weber)

• Overture from Der Freischütz (Weber).

Violin II:

Concerto for Orchestra, 5th movement (Bartók)

• Symphony No. 1, Op. 21, 2nd movement (Beethoven)

• Symphony No. 3, Op. 55 (Beethoven)

• Symphony No. 6, Op. 60, 4th movement (Beethoven)

• Symphony No. 9, Op. 125, 1st and 2nd movements (Beethoven)

• Fidelio, 1st Act, Aria with Choir (Beethoven)

• Carmen, 1st Act Finale (Bizet)

• Symphony No. 1, Op. 68, 4th Movement (Brahms)

• Piano Concerto Op. 15, 3rd movement (Brahms)

• Symphony No. 2, 3rd movement (Bruckner)

• Concerto for Violoncello, 2nd movement (Dvorák)

• Eine Faust-Sinfonie, 2nd movement: Gretchen (Liszt)

• Overture from Midummer Night’s Dream, Op. 21 (Mendelssohn)

• Scherzo, Op. 61, No. 1 (Mendelssohn)

• Symphony in C Major KV 200, 2nd Movement (Mozart)

• Symphony No. 39 KV 543, 4th movement (Mozart)

• Symphony No. 41, 4th movement (Mozart)

• Overture from Die Entführung aus dem Serail (Mozart)

• The Marraige of Figaro: Overture, Duet from 1st Act, Aria from 2nd Act, Finale from 2nd Act (Mozart)

• The Magic Flute: Overture, Finale from 2nd Act (Mozart)

• Daphnis and Chloe, 3rd Scene (Ravel)

• Symphony No. 4, 4th movement (Schubert)

• Overture from Die verkaufte Braut (Smetena)

• more.

Reducción para piano con parte solista. El Concierto para viola de Bela Bartok quedó incompleto cuando el compositor murió en 1945. En 1949, el violista William Primrose estrenó la versión de Tibor Serly de esta obra, que se ha convertido en un pilar del repertorio. La versión revisada, preparada por Peter Bartok y Nelson Dellamaggiore, ofrece a los intérpretes la representación más cercana posible de la obra tal como la dejó el compositor.

• Mikrokosmos V-VI

• Chords Together and Opposed

• Staccato and Legato (3)

• Staccato

• Boating

• Change of Time

• New Hungarian Folk Song

• Peasant Dance

• Alternating Thirds

• Village Joke

• Fourths

• Major Seconds Broken and Together

• Syncopation (3)

• Studies in Double Notes

• Perpetuum mobile

• Whole-tone Scale

• Unison

• Bagpipe

• Merry Andrew

• Free Variations

• Subject and Reflection

• From the Diary of a Fly

• Divided Arpeggios

• Minor Seconds, Major Sevenths

• Chromatic Invention (3)

• Ostinato

• March

• Six Dances in Bulgarian Rhythm, No. 1

• Six Dances in Bulgarian Rhythm, No. 2

• Six Dances in Bulgarian Rhythm, No. 3

• Six Dances in Bulgarian Rhythm, No. 4

• Six Dances in Bulgarian Rhythm, No. 5

• Six Dances in Bulgarian Rhythm, No. 6

• Mikrokosmos III-IV

• Thirds against a Single Voice

• Hungarian Dance

• Chord Study

• Melody against Double Notes

• Thirds

• Dragons’ Dance

• Sixths and Triads

• Hungarian Song

• Triplets

• In Three Parts

• Little Study

• Five-tone Scale

• Hommage à J. S. B.

• Hommage à R. Sch.

• Wandering

• Scherzo

• Melody with Interruptions

• Merriment

• Broken Chords

• Two Major Pentachords

• Variations

• Duet for Pipes

• In Four Parts (1)

• In Russian Style

• Chromatic Invention (1)

• Chromatic Invention (2)

• In Four Parts (2)

• Tale

• Song of the Fox

• Stumblings

• Notturno

• Thumb Under

• Crossed Hands

• In the Style of a Folksong

• Diminished Fifths

• Harmonics

• Minor and Major

• Wandering through the Keys

• Playsong (with two pentatonic scales)

• Children’s Song

• Melody in the Mist

• Wrestling

• From the Island of Bali

• Clashing Sounds

• Intermezzo

• Variations on a Folk Tune

• Bulgarian Rhythm (1)

• Theme and Inversion

• Bulgarian Rhythm (2)

• Melody

• Bourée

• Triplets in 9/8 Time

• Dance in 3/4 Time

• Fifth Chords

• Two-part Study

• No. 1

• No. 2

• No. 3

• No. 4 Wedding Song

• No. 5 Variations

• No. 6 Round Dance I

• No. 7 Sorrow

• No. 8 Dance

• No. 9 Round Dance II

• No. 10 Funeral Song

• No. 11

• No. 12

• No. 13

• No. 14

• No. 15 Bagpipe I

• No. 16 Lament

• No. 17

• No. 18 Teasing Song

• No. 19 Romance

• No. 20 Game of Tag

• No. 21 Pleasantry I

• No. 22 Revelry
• No. 23
• No. 24

• No. 25 Scherzando

• No. 26 Peasant’s Flute

• No. 27 Pleasantry II

• No. 28

• No. 29 Canon

• No. 30 Bagpipe II

• No. 31 The Highway Robber

• No. 32

• No. 33

• No. 34 Farewell

• No. 35 Ballad

• No. 36–37 Rhapsody

• No. 38 Dirge

• No. 39 Mourning Song

• Appendix

• Pieces in the early version not included in the revised version

• Variants of the early version

• Mikrokosmos I-II

• Six Unison Melodies, no. 1

• Six Unison Melodies, no. 2

• Six Unison Melodies, no. 3

• Six Unison Melodies, no. 4

• Six Unison Melodies, no. 5

• Six Unison Melodies, no. 6

• Dotted Notes

• Repetition (1)

• Syncopation (1)

• With Alternate Hands

• Parallel Motion

• Reflection

• Change of Position

• Question and Answer

• Village Song

• Parallel Motion and Change of Position

• Contrary Motion (1)

• Four Unison Melodies, no. 1

• Four Unison Melodies, no. 2

• Four Unison Melodies, no. 3

• Four Unison Melodies, no. 4

• Imitation and Counterpoint

• Imitation and Inversion (1)

• Pastorale

• Imitation and Inversion (2)

• Repetition (2)

• Syncopation (2)

• Canon at the Octave

• Imitation Reflected

• Canon at the Lower Fifth

• Little Dance in Canon Form

• In Dorian Mode

• Slow Dance

• In Phrygian Mode

• Chorale

• Free Canon

• In Lydian Mode

• Staccato and Legato (1)

• Staccato and Legato (2, Canon)

• In Yugoslav Style

• Melody with Accompaniment

• Accompaniment in Broken Triads

• In Hungarian Style

• Contrary Motion (2)

• Méditation

• Increasing – Diminishing

• Big Fair

• In Mixolydian Mode

• Crescendo – Diminuendo

• Minuetto

• Waves

• Monody Divided

• In Transylvanian Style

• Chromatic

• Triplets in Lydian Mode

• Melody in Tenths

• Accents

• In Oriental Style

• Major and Minor

• Canon with Sustained Notes

• Pentatonic Melody

• Minor Sixths in Parallel Motion

• Buzzing

• Line and Point

• Dialogue

• Melody Divided

Contents:

Ensemble:

Divertimento for String Orchestra, 2nd and 3rd Movement (Bartók)

• Symphony No. 3, Op. 55, 3rd Movement (Beethoven)

• Symphony No. 5, Op. 67, 2nd Movement (Beethoven)

• Symphony No. 9, Op. 125, 2nd Movement (Beethoven)

• Overture to Coriolan, Op. 62 (Beethoven)

• Römischer Karneval, Op. 9 (Berlioz)

• Symphonie fantastique, Op. 14, 5th movement (Berlioz)

• Carmen, 1st Act Nos. 6 and 11, 4th Act No. 25 (Bizet)

• Symphony No. 3, Op. 90, 1st movement (Brahms)

• Symphony No. 4, Op. 98, 1st movement (Brahms)

• Haydn-Variations, Op. 56a, Variations 4, 7 and 8 (Brahms)

• Symphony No. 3, 3rd movement (Bruckner)

• Symphony No. 4, 2ns movement (Bruckner)

• La Mer, 2nd and 3rd movements (Debussy)

• Philharmoisches Concerto, Variation 1 (Hindemith)

• Symphony “Mathis der Mahler”, 3rd movement (Hindemith)

• Hänsel and Gretel, 1st Act 3rd Scene and 3rd Act 3rd Scene (Humperdinck)

• Symphony No. 1, 4th movement (Mahler)

• Symphony No. 5, 3rd and 5th movements (Mahler)

• Symphony No. 10, 1st movement (Mahler)

• Midsummer Night’s Dream, Op. 61, 1st movement (Mendelssohn)

• Symphony No. 40, KV. 550, 4th movement (Mozart)

• Symphony No. 41, KV 551, 4th movement (Mozart)

• Overture from Marraige of Figaro (Mozart)

• Overture from Magic Flute (Mozart)

• Symphony Classique, Op. 25, 1st and 4th movements (Prokofiev)

• Overture from Barber of Seville (Rossini)

• Symphony No. 4, 4th Movement (Schubert)

• Die verkaufte Braut: Overture and 6th Scene (Smetana)

• Don Juan, Op. 20 (Strauss)

• Till Eulenspiegelds lustige Streiche, Op. 28 (Strauss)

• Symphony No. 5, Op. 64, 3rd movement (Tchaikovsky)

• Symphony No. 6, Op. 74, 1st movement (Tchaikovsky)

• Don Carlos, 1st Act, No. 3 (Verdi) • Ein Maskenball, Nos. 1 and 2 (Verdi)

• Othello, 1st Act (Verdi) • Der fliegende Holländer, 1st procession, Nos. 2 and 6 (Wagner)

• Lohengrin, 3rd Act, Introduction and 3rd Scene (Wagner)

• Tannhäuser: Overture and 2nd Act, 2nd Scene (Wagner)

• Overture from Euryanthe, Op. 81 (Weber)

• Der Freischütz, Op. 77: Overture, 1st Act No. 2, and 3rd Act Finale (Weber)

• Solo Pieces:

Giselle, 2nd Act, No. 21 (Adam)

• Lulu, 2nd Act (Berg)

• Coppelia, 3rd Act, No. 7 (Delibes)

• Hänsel and Gretel, 2nd Act (Humperdinck)

• Manon Lescaut, 3rd Act (Puccini)

• Arabella, 1st Act (Strauss)

• Don Quixote, Op. 35: Theme, Variations 1, 3 and 4 (Strauss)

• Der Freischütz, Op. 77, 3rd Act (Weber).

También es destacable que Bartók anotó la obra orquestal de cuatro movimientos muy rápidamente y sin una partitura corta. La nueva edición de Breitkopf se basa en el autógrafo, en las primeras ediciones de la partitura de dirección y de bolsillo y, en particular, en la copia personal del compositor de la partitura de bolsillo, en la que Bartók introdujo posteriormente las correcciones que había descubierto, modificaciones que se tuvieron en cuenta consideración por primera vez en esta nueva edición.